Baby Review: A Sharp Depiction of Queer Brazilian Hustlers Adrift in the System

Capturing the city's relentless energy and pulsating life of São Paulo, filmmaker Caetano's unflinching drama zooms in on those who inhabit the outskirts of an constantly evolving metropolis. Newly freed from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) finds himself at a crossroads; deserted by his parents, the wide-eyed young man seeks comfort in the arms of others.

On an late-night excursion with his boisterous group of gay and non-binary friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a hunky, charismatic hustler more than twice his age. Shrouded in the wavering neon of a adult movie theater, their introductory rendezvous is sensuous and erotic, with an tinge of peril. Ronaldo swiftly initiates Wellington to the underground scene of prostitution and drug dealing.

A Portrait of Empathy Instead of Sensationalism

Caetano depicts Wellington’s new life of crime with tender empathy as opposed to as a melodramatic morality play. Now adopting the moniker Baby, he engages in his paid liaisons with swaggering confidence and touching naivety. To his clients, Wellington provides not just his youth and his body, but also instances of tenderness.

In the feverish excitement of São Paulo, overflowing with bustling alleyways and vibrant storefronts, there’s a persistent isolation, as rootless people cling on to one another for momentary bliss.

"The streets might be riddled with risk, yet they are also the space where they can find their own family, too."

A Complex Dynamic of Affection and Power

Ronaldo is both a lover and a sheltering paternal presence to Wellington, but their connection is thrown off course by envy and monetary insecurity. Intimidation from dubious individuals in the underworld seem minor next to the fear of state surveillance and imprisonment, epitomized by the hovering figures of police officers making their rounds.

Baby is especially potent as an astute portrait of the forgotten souls who have slipped through the gaps the social system. The film ultimately serves as a poignant exploration into survival, found community, and the pursuit of self within a demanding urban landscape.

Rachel Campbell
Rachel Campbell

Landscape designer and outdoor living enthusiast with over a decade of experience in creating beautiful, functional garden spaces.